We see a street without any traffic from above, from a somewhat odd angle. The cars look monotonous in color due to the b/w format.
As if it cut through the view, a cable hangs - in an even stranger angle - over the street. There are little moments of light; as reflections in the cars' surfaces and at the wall in the background.
The concept of composition is refusing a centerpoint for the photo, rather the gray, blunt area in the center serves as a counterpoint to the detailed and intricate reflections and light shards.
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